Could Installation Art be the New Medium for Southeast Asia?
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چکیده
The rise of three dimensional installation art as a medium of artistic expression in the developing countries of Southeast Asia over the past decade is irrefutably transforming paradigms of modern art throughout the region. Through its capacity to relate meaningful, controversial and often politically critical subject matter in an indirect and implied fashion, installation art has become a favorite tool for social commentary in social and political climates that are not always conducive to such analysis.
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